"But she'll only have been here a few minutes. What sort of a visit is that?" Fleda cried. Fleda wondered, but she also smiled. "To-night—to-morrow?"!

"I'm completely at your service." Owen held out his hand to Fleda. "Good-bye, Miss Vetch. I hope to see you again to-morrow." He opened the door for Mrs. Brigstock, who passed before the girl with an oblique, averted salutation. Owen and Fleda, while he stood at the door, then faced each other darkly and without speaking. Their eyes met once more for a long moment, and she was conscious there was something in hers that the darkness didn't quench, that he had never seen before and that he was perhaps never to see again. He stayed long enough to take it—to take it with a sombre stare that just showed the dawn of wonder; then he followed Mrs. Brigstock out of the house. Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up."

Mrs. Gereth gave her a long last look, then turned abruptly away. "It's an awful bore you didn't really get it out of him! Well, come to tea," she added rather dryly, passing straight into the house. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "Why, she simply won't marry me, don't you see?"